 中文名称：无形之界 英文名称：Aerial Boundaries 发行时间：1990年10月25日 专辑歌手：Michael Hedges 专辑介绍： 吉他大师迈克·亨吉斯（Michael Hedges）的出现，标志着New Age吉他风格的诞生。Michael Hedges在箱琴（木吉他）上所做的，就如Jimi Hendrix在电吉他上所做的一样——完全地改变了一种乐器表现力的可能性。作为一个作曲家，他用他的吉他编配出交响诗般的声音，超乎了人们对一把独奏乐器的想象力。Michael Hedges把自己的演奏风格称为“暴力箱琴”，他双手的技巧将吉他变成了最原始的打击乐器。在他死后，很少能有人像他一样在箱琴上演奏出那种爆炸性的和声、对位和愤怒的情感。 在他这张诗一般的独奏专辑里，展现了他最拿手的东西：使用复杂的、爵士味的调弦法，还有十分有趣的拨弦加拍弦技巧。他的精彩演奏，令保守的吉他手们惊讶和折服，而他本人，则被尊为吉他之神，让后人仰为观止，并深受影响。 以下介绍来自Amazon.com: It's been called the album that opened "a new chapter on steel-string guitar playing," and it's unquestionably one of the most groundbreaking albums in acoustic guitar history. Though Hedges had released the excellent Breakfast in the Field on Windham Hill in 1981, the Grammy-nominated Boundaries came as an unexpected revelation in 1985. On stirring, complex compositions like "Rickover's Dream," "Spare Change," and a deft instrumental reading of Neil Young's "After the Gold Rush," Hedges unleashed a stunning new vocabulary of finger-tapping, hammering, and harmonic slaps--processed with electronics and reverb--that still resounds today in the playing of artists from Ani Di Franco to Preston Reed. Steeped both in classical harmony and the fingerstyle guitar tradition of Leo Kottke, Martin Carthy, and John Renbourn, Boundaries remains the late composer-guitarist's seminal work, and its innovations in technique, tuning, tone, and intensity remain key texts in modern acoustic circles. |
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俺怎么这么有福气呀
一上来就看到了我们宁宁这样好的礼物，喜欢得紧 谢谢宁宁，周末快乐哦 ：） ※※※※※※ 我手写我心，我歌咏我情 我梦抒我爱，我情言我志  |
